Slutsky's poetry and prose paint a gripping portrait of a highly intelligent and articulate Soviet patriot passing through the dynamism and terror of the 1930s; a twice-wounded political instructor fighting for the motherland in World War II; an increasingly skeptical witness to the re-Stalinization of Russia during the cold war; and an ironical observer of the 1960s youth culture poetry and finally of the decline of the Communist ideal into senility during the Brezhnev era.

Boris Slutsky (7 May 1919 in Slovyansk, Ukraine — 22 February 1986 in Tula) was a Soviet poet of Russian language. Lived his childhood and youth in Harkov. In the year 1937 entered the law institute of Moscow, and since 1939 studied also at the Institute of literature "Maksim Gorki" till 1941. Joined a group of young poets like M. Kulchitzki, Pavel Kogan, S.Narovchatov, David Samoilov and others who made acquaintance in autumn 1939 at the seminary of Ilya Selvinski at the State Literary Publishing House Goslitizdat and called themselves "the generation of the year 1940". Between 1941-1945 he served in the Red Army (he was a politruk of an infantry platoon), his war experiences colouring much of his poetry. After ending the war as major, he worked on the radio (1948-1952). In 1956 Ilya Ehrenburg created a sensation with an article quoting a number of hitherto unpublished poems by Slutsky, and in 1957 Slutsky's first book of poetry, Memory, containing many poems written much earlier, was published. Together with David Samoylov, Slutsky was probably the most important representative of the War generation of Russian poets and, because of the nature of his verse, a crucial figure in the post-Stalin literary revival. His poetry is deliberately coarse and jagged, prosaic and conversational. There is a dry, polemic quality about it that reflects perhaps the poet's early training as a lawyer. Slutsky's search was evidently for a language stripped of poeticisms and ornamentation; he represented the opposite tendency to that of such neo-romantic or neo-futuristic poets as Andrey Voznesensky. As early as in 1953 - 1954, earlier than the 20th Congress of CPSU, Slutsky wrote verses condemning the Stalinist regime. These ones have circulated in "Samizdat" in the 1950's and were published in the West (in Munich) in an anthology in 1961. He did not confirm and not deny his paternity of them. In his works Slutsky approached also Jewish themes, including from the jewish tradition, about the antisemitism, including the antisemitic phenomena in the Soviet society, the Holocaust etc. He translated to Russian from the Yiddish poetry, e.g. from works of Kvitko, Verghelis, Galkin, Shvartzman, Y.Sternberg. and others. In 1963 an exceptional performance was the editing under his guidance of the first anthology of Israeli poetry. ("The poets of Israel") - (Wikipedia)